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The stunning 1964 collaboration between Stan Getz, one of the most respected tenor saxophonists of the era, and the remarkable Brazilian guitarist Joao Gilberto
Recorded in 1964 during two concerts at the venerable Greenwich Village venue, Cafe Au Go Go, two months after Astrud Gilberto's "Girl From Ipanema" became a Top 5 pop single.
Not Now Reissue. Jazz Samba is crucial and groundbreaking; after all, it came first, and in fact was the first full-fledged bossa nova album ever recorded by American jazz musicians. And it was just as commercially successful, topping the LP charts.
Gatefold 180-gram vinyl. Getz/Gilberto is an album by American saxophonist Stan Getz and Brazilian guitarist João Gilberto, featuring pianist and composer Antônio Carlos Jobim, who also composed many of the tracks.
A perennially-popular 1967 live album from the bebop trumpet pioneer, an effervescent, electrifying quintet recording also featuring his great friend and fellow bebop legend James Moody on various saxophones and flute.
Black Radio III, much like both of it's predecessors, is a cultural moment that celebrates black love and resilience, features an eclectic group of talented collaborators, and is composed by Glasper.
Glenn-Copeland's new album, The Ones Ahead deepens these explorations, casting searching light into how all of us must dissolve the harms of this world and carry each other forward into the next.
Suave saxophone master Dexter Gordon had been living in Europe for several years when he returned to make his final Blue Note album, Gettin' Around, in 1965.
Featuring a quartet with Sonny Clark on piano, Butch Warren on bass, and Billy Higgins on drums, GO! Was a showcase of Gordon's limitless creativity on hard-swinging numbers as well as his peerless artistry on ballads
During a two-day period in July of 1967, tenor-saxophonist Dexter Gordon and his quartet recorded multiple albums worth of material at one of Gordon's favorite venues, the legendary Jazzhus Montmartre. Walk The Blues is pulled from the second night.
During a two-day period in July of 1967, tenor-saxophonist Dexter Gordon and his quartet recorded multiple albums worth of material at one of Gordon's favorite venues, the legendary Jazzhus Montmartre. Walk The Blues is pulled from the second night.
This may have been Grant Green's debut album, but all three of these musicians share equal responsibility in this magnificent January 28, 1961 date, remastered by original recording engineer Rudy Van Gelder.
Grant Green began his lengthy and prolific Blue Note career with the 1961 release of his debut album Grant's First Stand, a stellar soul jazz outing that featured the guitarist in an organ trio with Baby Face Willette on Hammond B3 and Ben Dixon on drums
Blue Note Tone Poet Series features all-analog, remastered sound. Guitarist Grant Green explored Latin and Brazilian influences on his highly enjoyable 1962 album, The Latin Bit.
Originally released in 1993 as the debut full-length album for Greyboy as the first artist on the fledgling Ubiquity label that was founded only three years prior.
