The 1960 edition of the Art Blakey & The Jazz Messengers was one of the band's greatest line-ups with the drummer joined by trumpeter Lee Morgan, saxophonist Wayne Shorter, pianist Bobby Timmons and bassist Jymie Merritt.
Trumpeter Eddie Henderson came to prominence as a member of Herbie Hancock's Mwandishi in the early '70s, after which he recorded a pair of seminal jazz/funk fusion classics for Blue Note
Donald Byrd's 1974 funk/R&B fusion masterpiece, Stepping Into Tomorrow, was the third album the trumpet legend made in collaboration with visionary producer Larry Mizell.
Johnny Griffin called upon his fellow master practitioners of the tenor saxophone John Coltrane & Hank Mobley for his second Blue Note album, A Blowing Session, in 1957.
Guitar virtuoso Julian Lage returns with his fifth Blue Note release, Scenes From Above, the follow-up to the GRAMMY-nominated Speak To Me, which was once again produced by Joe Henry.
With a sleek post-bop quintet featuring trumpeter Woody Shaw, pianist Kenny Barron, bassist Jan Arnet, and drummer Billy Higgins, the Texas-born saxophonist slices through a set of compelling bandmember originals.
How Real Was It? is a journey through Asha Banks' earthy, intimate, honest world. If her first EP represented the essence of living in the moment, How Real Was It? is it's reflective, sun-sprinkled sibling.
The remixed 2003 classic album, Decoration Day, remastered by acclaimed engineer Greg Calbi. Features Drive-By Truckers standards "Sink Hole, and more!
Local rock band hailing from Denver, CO! We are intelligent and complex lifeforms that are most adaptable during the most complicated events. A play on the idea of free radical and a free rat that responds with ingenuity.