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In Ascenseur Pour L'Echafaud, Miles Davis worked on a soundtrack that served the dark atmosphere of the film, the subtleties of the story, and internal thoughts of the characters. Amazingly, the entire jazz soundtrack was improvised.
Miles Davis was still near the start of his storied career when he cut the three sessions that comprise his Blue Note recordings in 1952, 1953, and 1954. In 1955, Blue Note compiled the tracks into two 12" LPs as part of the 1500 series.
This new edition of this Miles Davis album is released as part of the Original Jazz Classics Series on 180-gram vinyl pressed at RTI with all-analog mastering from the original tapes at Cohearent Audio and a Stoughton Tip-On Jacket.