School Days (1976) was a game-changer for the legendary Stanley Clarke in many ways. A solid funk, rock, jazz and fusion release that only this master jam could achieve.
Ron Miles wrote most of the music to Rainbow Sign in the summer of 2018 as his father was passing away. It's both a loving dedication and a riveting spiritual document that scores the journey from Earth to eternal peace
The vibe is intimate and expansive at the same time, much like the album itself: as numerous as Johnson's influences are, on Freedom Exercise they're showcased in a way that feels organic, straightforward and unpretentious.
Getz/Gilberto is an album by American saxophonist Stan Getz and Brazilian guitarist João Gilberto, featuring pianist and composer Antônio Carlos Jobim (Tom Jobim), who also composed many of the tracks.
Now cited as one of his best albums, Waltz for Debby was a live album from Bill Evans' trio and was the companion release to the critically acclaimed Sunday at the Village Vanguard.
The musicians that Jones’ vision influenced would in turn inspire artists like MF Doom to repurpose Jones’ grooves all over again, proving The Dude’s prescient vision and enduring cool.
Newly mastered edition of pioneering jazz pianist Bill Evans' seventieth studio album, "You Must Believe In Spring", his final recording session with bassist Eddie G¢mez and drummer Eliot Zigmund.
Jimmy Smith was a self-taught pianist who helped popularize the Hammond B3 organ with a revolutionary style that caught the ear of Alfred Lion at Blue Note who later dubbed him The Incredible Jimmy Smith.
The Prisoner is Herbie Hancock's final jazz album. The title tracks and liner notes comment on the struggles of black America emerging from early '60s, an extended metaphor of The Prisoner, rising from MLK's “I have Dream” to the “Promise of the Sun“.
Described by Mingus himself as “ethnic folk-dance music,” The Black Saint & The Sinner Lady is a single song cycle rather than a traditional jazz album of separate tracks.
This Max Roach Riverside quintet date is notable features the young trumpeter Booker Little, with Ray Draper's tuba as a melody instrument; tenor saxophonist George Coleman and bassist Art Davis complete the group.
In this LP you'll find "Blue Train", John Coltrane's first notable composition. This was one of Coltrane's first albums as a band leader, and in the melodies you can hear his musical discovery and stylistic uniqueness.
Could there be any more confrontational sound in Miles Davis' vast catalog than the distorted guitars and tinny double-timing drums reacting to a two-note bass riff funking it up on the first track from On the Corner?
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