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The title tune follows the path of Desmond’s celebrated composition “Take Five”, which he had recorded with the Dave Brubeck Quartet on the iconic Time Out LP.
Backed by impassioned performances from an unmatched collection of side men, Di Meola's spellbinding melodicism and explosive technique create what Scott Yanow of All Music Guide calls "A near classic in the fusion vein."
Al Di Meola, a GRAMMY Award-winning artist, has achieved remarkable acclaim across a spectrum of genres, including flamenco, Latin, fusion, jazz, rock, and world music.
An ungraspable, ghostly, spooky album consisting of ten different journeys into the experimental sound world of Dictaphone's "minimalistic and subliminal elegancy"(ARTE), diving deeper into their "morbid instruments" concept.
Blue Note Classic Vinyl Series. Blues walk is a classic 50's hard bob/bebop recording. What sets the album apart from other albums of the same era is the subtle conga playing of Ray Barretto.
Kenny Dorham's first LP fronting his own quartet. He takes on a fluid, all-encompassing style in which he emulates the intricate technique of Miles Davis while also playing with the broad sound of trumpet players like Dizzy Gillespie.
Centered around one of the baddest Hammond organists from the ’70s, who generated a cult following for the albums he released on Oakland’s Black Jazz label.
Even though Duke Ellington and Coleman Hawkins had both been well-known jazzmen since the early 1920s, it wasn't until 1962 - at least 20 years after Duke first suggested it - that these two recorded their only session together.
The Tony Bennett Bill Evans Album (1975) brings together two legends of modern music. Featuring just vocal and piano, without any additional musicians.
Everybody Digs Bill Evans is an album by jazz musician Bill Evans. It was released in early 1959 on the Riverside label. Everybody Digs Bill Evans was Evans's second album, done two years after his first record as a leader. Though his producer (Orrin Keep
Interplay is a 1963 album from legendary jazz pianist Bill Evans, originally released on the Riverside label. Joining Evans are Freddie Hubbard (trumpet), Jim Hall (guitar), Percy Heath (bass), and Philly Joe Jones (drums).
"Moonbeams was the first album Bill Evans made after the death of his musical right arm, bassist Scott LaFaro. An album of ballads, it was a startling return to the recording sphere and a major advancement in Evans' development as a leader." -Thom Jurek
Wax Time public domain reissue. This trio is widely regarded as his finest, largely because of the symbiotic interplay between its members. There is also a higher quality pressing available from Craft Recordings, see if in stock in related items below.
Acoustic Sound Series. Limited 180gm vinyl LP pressing in gatefold jacket. After appearing together at an all-star concert the night before, Ella Fitzgerald and Louis Armstrong went into an L.A. studio to record this gem of an album.
