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Afro-Cuban is an album by American jazz trumpeter Kenny Dorham. The first release of the album dates back to 1955 on 10" Vinyl, featuring only four tracks and having a different cover artwork. Some time later, Blue Note decided to add three tracks and iss
Kenny Dorham's first LP fronting his own quartet. He takes on a fluid, all-encompassing style in which he emulates the intricate technique of Miles Davis while also playing with the broad sound of trumpet players like Dizzy Gillespie.
Centered around one of the baddest Hammond organists from the ’70s, who generated a cult following for the albums he released on Oakland’s Black Jazz label.
Even though Duke Ellington and Coleman Hawkins had both been well-known jazzmen since the early 1920s, it wasn't until 1962 - at least 20 years after Duke first suggested it - that these two recorded their only session together.
The Tony Bennett Bill Evans Album (1975) brings together two legends of modern music. Featuring just vocal and piano, without any additional musicians.
They don’t make LP art — or music — like this anymore. DOL and Jackpot press this recording which is in the public domain. Both sound good but the Jackpot Records version seems to be higher quality (see if it's in stock in related products below).
Interplay is a 1963 album from legendary jazz pianist Bill Evans, originally released on the Riverside label. Joining Evans are Freddie Hubbard (trumpet), Jim Hall (guitar), Percy Heath (bass), and Philly Joe Jones (drums).
"Moonbeams was the first album Bill Evans made after the death of his musical right arm, bassist Scott LaFaro. An album of ballads, it was a startling return to the recording sphere and a major advancement in Evans' development as a leader." -Thom Jurek
The first of two albums recorded at the legendary final appearance of the Bill Evans Trio at the Village Vanguard, these recordings have long been recognized as capturing the unique interaction that characterized the trio of Evans, LaFaro and Motian.
Wax Time public domain reissue. This trio is widely regarded as his finest, largely because of the symbiotic interplay between its members. There is also a higher quality pressing available from Craft Recordings, see if in stock in related items below.
Waltz For Debby, the fourth and final album by one of the most influential groups in jazz history, the Bill Evans Trio, was originally released in 1962 as a companion to Sunday At The Village Vanguard.
Now cited as one of his best albums, Waltz for Debby was a live album from Bill Evans' trio and was the companion release to the critically acclaimed Sunday at the Village Vanguard.
Acoustic Sound Series. Limited 180gm vinyl LP pressing in gatefold jacket. After appearing together at an all-star concert the night before, Ella Fitzgerald and Louis Armstrong went into an L.A. studio to record this gem of an album.
AUDIOBOOK, the new project from multi-instrumentalist Sam Gendel and visual artist/filmmaker Marcella Cytrynowicz, consists of 13 tracks in conversation with 26 corresponding illustrations.
When Charlie Byrd toured South America in 1961, bossa nova - a melding of Brazilian samba rhythms with the harmonic structures and the cool sound of West Coast jazz - was booming.
The stunning 1964 collaboration between Stan Getz, one of the most respected tenor saxophonists of the era, and the remarkable Brazilian guitarist Joao Gilberto
Recorded in 1964 during two concerts at the venerable Greenwich Village venue, Cafe Au Go Go, two months after Astrud Gilberto's "Girl From Ipanema" became a Top 5 pop single.
