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Earlier this year, avant-garde jazz titan Kamasi Washington premiered Harmony of Difference, an original six-movement suite, as part of this year’s Whitney Biennial.
The EP is the first new music from Washington since his universally acclaimed 2015 debut
Jazz Codes uses free jazz as a starting point but the collection continues the recent turn in Moor Mother's multifaceted catalog toward more melody, more singing voices, more choruses, more complexity.
While containing elements of jazz throughout, this release leans further into heavy dancehall themes, providing hypnotic, electronic soundscapes to dance to while keeping you intellectually stimulated.
Their fifth album (1985) was their big turn toward pop, incorporating some Motown and rock elements (and star appearances from Aretha and Stevie) with less experimentation. It's also when Annie went bleach blond.