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Originally released on the Japanese Blue Note label in 1984. It was recorded on August 18, 1957 and features Mobley, trumpeter Kenny Dorham, bassist Jimmy Rowser, pianist Sonny Clark, and drummer Art Taylor.
The tenor saxophonist had already notched several hard bop masterpieces in his belt, but No Room for Squares was an even more ambitious effort that found Mobley elevating his game as a bandleader, improviser, and a composer.
Tenor saxophonist Hank Mobley was on a serious roll when he recorded his 1960 album Roll Call, the follow-up to his classic Soul Station, which reconvened the same rhythm section of pianist Wynton Kelly, bassist Paul Chambers and drummer Art Blakey
Thelonious Monk's Brilliant Corners is a landmark title in the pianist's celebrated catalog. The 1957 album not only introduces several Monk originals, but also features an all-star lineup, including Sonny Rollins, Max Roach and Paul Chambers.
This LP helped to reinvent Monk's reputation, showing listeners that Monk was not just a "mad genius" but a structured and well-rounded musician with the ability to lucidly interpret and reinvent the works of another composer.
This masterwork from jazz piano’s most uncommon voice find Monk and his quartet exploring every texture, tone and melodic turn of seven expansive tracks.
Released in 1957, Thelonious Himself is a solo album by Thelonious Monk. The only exception to this is the final track "Monk's Mood," where he is joined by John Coltrane and Wilbur Ware.
This never-before heard jazz classic documents one of the most historically important working bands in all of Jazz history, a band that was both short-lived and, until now, thought to be frustratingly under-recorded. The concert, which took place at the f
Recorded in 1957 when Lee Morgan was only 19, and released on Blue Note in 1958, “Candy” sees the young trumpet genius as leader of a marvelous quartet.
Two months after recording what would become his hit record The Sidewinder, trumpeter Lee Morgan returned to Van Gelder Studio in February 1964 to create his masterful album Search for the New Land.
180gm vinyl LP pressing. The prodigious trumpeter Lee Morgan debuted on Blue Note in 1956 at the age of 18 but personal problems forced him off the scene temporarily. His rebound recording, The Sidewinder, was a coronation.
On his 1963 debut release for the Phillips label, baritone saxophonist Gerry Mulligan is joined by familiar friends, including Art Farmer, Bob Brookmeyer and Jim Hall for a relaxed and refined set of cool jazz ballads.
The 1959 record Gerry Mulligan Meets Johnny Hodges, a collaboration between the two great jazz saxophonists, has been reissued as the latest release from Verve's Acoustic Sounds Series.
Meshell's transformative music ignites this genre-bending work that is at once a musical experience, a church service, a celebration, a testimonial, and a call to action, creating a shared space for reflection, conversation, and social change.
Their follow-up album expands their sonic world into a meditative and boundary-pushing space, blurring the lines between composition and improvisation, melody and abstraction.
Two notable sidemen collaborate on an elusive instrumental album inspired by funk, West African, and Cuban music. The melodies are fleeting and the arrangements ever-shifting.
This 1957 release, the third in a series of albums expanding on Bird's 10-inch Clef releases from the early 1950's, 'Now's The Time' boasts some of Parker's purest recordings and strongest playing, featuring two different quartets.
