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The debut album from jazz musician Ken McIntyre, Looking Ahead was originally released in 1961 and features fellow saxophonist Eric Dolphy alongside McIntyre.
Jackie McLean pushed boundaries in this 1961 recording of A Fickle Sonance. McLean shows his artistry by being one of the few Jazz artists to incorporate freer jazz melodies into his hard-bop style.
For the last 30 years, Medeski Martin & Wood have explored the boundaries of modern jazz, incorporating hip hop, avant-garde, world music, and electronic funk influences into their fearless improvisational style.
The trio of John Medeski, Billy Martin, and Chris Wood did as much to reinvigorate and reimagine jazz as anybody over the last three decades. Now, Real Gone Music is proud to provide the band's classic second album It's a Jungle in Here it's first widespr
Recorded in a remote, solar-powered plywood shack in Hawaii (hence the title), Shack-Man brought the '70s soul-jazz beloved by the band firmly into the '90s.
The album features new music that reflects on scripture and the search for God through music inspired by the prog-rock Mehldau loved as a young adolescent, which was his gateway to the fusion that eventually led to his discovery of jazz. Jacob's Ladder is
A star-studded cast of the finest 1966 Jazz Musicians. Includes "The Girl From Ipanema" & hot after hit after hit. Special deluxe package includes: Olive Green Opaque Vinyl, OBI strip, single cardboard jacket with one pocket and printed inner sleeve.
Ron Miles wrote most of the music to Rainbow Sign in the summer of 2018 as his father was passing away. It's both a loving dedication and a riveting spiritual document that scores the journey from Earth to eternal peace
INCARNATIONS is a new masterpiece thoughtfully assembled from rare and unreleased material from the landmark 1960 sessions for Candid Records that stands proudly in the Mingus canon of masterworks.
Originally released on the Japanese Blue Note label in 1984. It was recorded on August 18, 1957 and features Mobley, trumpeter Kenny Dorham, bassist Jimmy Rowser, pianist Sonny Clark, and drummer Art Taylor.
The tenor saxophonist had already notched several hard bop masterpieces in his belt, but No Room for Squares was an even more ambitious effort that found Mobley elevating his game as a bandleader, improviser, and a composer.
Tenor saxophonist Hank Mobley was on a serious roll when he recorded his 1960 album Roll Call, the follow-up to his classic Soul Station, which reconvened the same rhythm section of pianist Wynton Kelly, bassist Paul Chambers and drummer Art Blakey
On February 7, 1960, tenor saxophonist Hank Mobley with pianist Wynton Kelly, bassist Paul Chambers, and drummer Art Blakey, laid down what would become his masterpiece: Soul Station.
Thelonious Monk's Brilliant Corners is a landmark title in the pianist's celebrated catalog. The 1957 album not only introduces several Monk originals, but also features an all-star lineup, including Sonny Rollins, Max Roach and Paul Chambers.
This LP helped to reinvent Monk's reputation, showing listeners that Monk was not just a "mad genius" but a structured and well-rounded musician with the ability to lucidly interpret and reinvent the works of another composer.
Released in 1957, Thelonious Himself is a solo album by Thelonious Monk. The only exception to this is the final track "Monk's Mood," where he is joined by John Coltrane and Wilbur Ware.
Monk, considered one of the greatest Jazz pianists of all time, recorded Underground in '67-'68. It's the last recording with the Thelonious Monk Quartet and one of the last albums he made for Columbia.
Regarded as one of the greatest jazz collaborations of all time, Thelonious Monk and John Coltrane are joined on this 1961 album by the talents of Art Blakely (drums), Wilbur Ware (bass), Gigi Gryce (alto sax) and more.
Recorded in 1957 when Lee Morgan was only 19, and released on Blue Note in 1958, “Candy” sees the young trumpet genius as leader of a marvelous quartet.
