Mute is excited to announce the 10th anniversary edition vinyl release of Hurry Up, We're Dreaming. This one time pressing, features the same children from the first pressing, now 10 years older, creating another iconic cover to expand upon the original.
Bridging the gap between the improvisatory rock jams of their earlier recordings, Monster Movie and Delay 1968, Soundtracks also laid the foundations for their more electronic and experimental sounding work, such as Tago Mago and Ege Bamyasi.
This record compiles for the first time, both periods of Cabaret Voltaire together on one release- all remastered from original files. It contains singles and popular tracks and also includes single mixes not previously available digitally.
Old fans will note a substantial difference between this 2008 album and M83's previous releases; Saturdays = Youth is more shoegazey in texture and more pop in construction.
The first real industrial group, the founders of Industrial Records and one of the most important electronic music innovators of all time, Throbbing Gristle redefined music and laid a large part of the groundwork for all electronic music that followed.
The Bridge was originally released on Throbbing Gristle's Industrial Records label in 1979 and is considered to be an early electronic avant-garde synth-pop masterpiece.
Holger Czukay and Irmin Schmidt left behind their careers in academia to form the influential group in the late 60s. Together with Michael Karoli, Jaki Liebezeit and Malcolm Mooney, they recorded Monster Movie in a castle near Cologne in 1968.
Renowned avant-garde artist Phew returns to Mute for the album, New Decade. Working within the medium of voice and analog electronics, New Decade fuses her ghostly vocals with intense droning textures and clamorous guitar feedback.
Full of tape-manipulation, computer noise and feedback, D.O.A. epitomizes Throbbing Gristle's unparalleled anti-music, cementing their status as "wreckers of civilization."
20 Jazz Funk Greats' cheerful breaching of lounge jazz and disco contains some of the band's prettiest moments on songs like the breathy "Hot on the Heels of Love". You could be fooled into thinking this was indeed easy-listening industrial.
Gonzalez strikes a balance between stripped back arrangements-just Jose's intimate vocal and exquisite nylon string guitar work-and tracks driven by groovy drum machine loops and other percussive elements.
The 2007 album from the Swedish singer/songwriter. After a breakthrough debut album, more than three full North American tours in one year a tour with Zero 7 and major TV performances, José González returns with this, his sophomore album.
Henry's Dream undeniably epitomises - much more so than any of their other albums - the loss of control that ensues when one has exerted but a slippery grip on some very vertiginous circumstances. Ironically, Henry's Dream became one of the Bad Seeds most
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