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This record compiles for the first time, both periods of Cabaret Voltaire together on one release- all remastered from original files. It contains singles and popular tracks and also includes single mixes not previously available digitally.
The 7th album from Can finds them playing around with a bigger tape machine while maintaining their freak scuzz intuition. "Vernal Equinox" alone is worth the price of admission.
Harsh, brittle, and disjointed, critic Mark Fisher wrote in Fact that the album was a 'delirial montage of funk, free jazz, Jamaican audio-mancy and the avant-garde.'
A Certain Ratio's ACR: EPR on colored 12" vinyl. This release completes A Certain Ratio's 2021 trilogy of EPs and was recorded with the internal brief of "anything goes... "
A Certain Ratio's ACR: EPR on colored 12" vinyl. This release completes A Certain Ratio's 2021 trilogy of EPs and was recorded with the internal brief of "anything goes... "
A band out of time, Crime & the City Solution were perennial outsiders who could not rest in their native Australia, and instead found inspiration in the colder climes of London and Berlin.
The Bridge was originally released on Throbbing Gristle's Industrial Records label in 1979 and is considered to be an early electronic avant-garde synth-pop masterpiece.
Holger Czukay and Irmin Schmidt left behind their careers in academia to form the influential group in the late 60s. Together with Michael Karoli, Jaki Liebezeit and Malcolm Mooney, they recorded Monster Movie in a castle near Cologne in 1968.
Renowned avant-garde artist Phew returns to Mute for the album, New Decade. Working within the medium of voice and analog electronics, New Decade fuses her ghostly vocals with intense droning textures and clamorous guitar feedback.
Old fans will note a substantial difference between this 2008 album and M83's previous releases; Saturdays = Youth is more shoegazey in texture and more pop in construction.
Full of tape-manipulation, computer noise and feedback, D.O.A. epitomizes Throbbing Gristle's unparalleled anti-music, cementing their status as "wreckers of civilization."
Gonzalez strikes a balance between stripped back arrangements-just Jose's intimate vocal and exquisite nylon string guitar work-and tracks driven by groovy drum machine loops and other percussive elements.
Ege Bamyasi drops the haze and hits with a sharp pang from the get-go. Often described as the “tense” Can album, Ege is actually the band at its most focused, bolstered in part by the excellent performance of the single “Spoon”.
Damo Suzuki's last album with Can as Vocalist. Only 4 tracks, but includes the astonishing 20-minute version of Bel Air and the 3-minute pop masterpiece Moonshake. This 1973 epic encapsulates everything great about Can then and now.
Can was founded in 1968 by Irmin Schmidt, Holger Czukay, Michael Karoli and Jaki Liebezeit who formed a group which would utilize and transcend all boundaries of ethnic, electronic experimental and modern classical music.
All Visible Objects boosts Moby's activism and outspoken political voice in a less aggressive manner than on his punk-centric albums, raising awareness through heartfelt pleas and rousing calls to arms.
