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Harsh, brittle, and disjointed, critic Mark Fisher wrote in Fact that the album was a 'delirial montage of funk, free jazz, Jamaican audio-mancy and the avant-garde.'
Siouxsie's best album: dark, somber, smoldering, the songs here take the change of directions begun the year before with Kaleidoscope (and the addition of John McGeoch (RIP) on guitar) and focus on craft and power.
