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Focusing on tracks previously available only on limited-edition compilations, vinyl-only releases, or as B-Sides or international singles, The Destroyed Room also features material that has never before been released.
Brazilian psych/soundtrack/avant garde masterpiece! Layers of textures meld into Santos' magnum opus. Like a weird soundtrack from the Brazilian Twilight Zone. You simply must!
Cluster's self-titled debut was originally released by Philips in 1971; this edition is the first reissue to restore the track running order of the original Philips release. Includes liner notes by electronic avant-garde pioneer Asmus Tietchens.
The Bridge was originally released on Throbbing Gristle's Industrial Records label in 1979 and is considered to be an early electronic avant-garde synth-pop masterpiece.
French boys Xavier de Rosnay and Gaspard Augé originally got their start in the music scene playing in bad Metallica and Nirvana cover bands, and the album art of Cross makes it look like a doomy metalcore release, but the record is anything but metal.
Rancid's new record HONOR IS ALL WE KNOW is much like their other records in the sense that it is filled with the stories and characters that populate the band's lives.
Remo Drive, the longstanding project of brothers Erik and Stephen Paulson, want you to feel something. Following a six-year run of pristine emo-influenced rock 'n' roll records comes Mercy, the band's fourth album and third for Epitaph.