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Khruangbin's fourth studio album, A La Sala ("To the Room" in Spanish), is an exercise in returning in order to go further, and doing so on your own terms. One of their best!
"I wish I could tell my younger self 'you don't have to stick to the dreams people have for you. You can dream bigger. You are more than capable, you are more than able. I think about some nerdy punk kid in the rural south who needs to hear that now.'"
Spanning psychedelic soundscapes, pulsating 80's electronic elements and John Cale inspired journeys, the album lands immediately as something made for the future
'Live at The Fillmore Miami' features performances by Toro y Moi and Khruangbin. This series ignites both sides of the band's magic: the warm, prismatic feeling of their albums and the bewitching energy of their performances.
Khruangbin's 'Live At' series of live LPs traces just one small slice of the band's flight plan through the years: it's a taste of some of their most beloved cities, stages and nights. Each release comes with a limited-edition unique album cover exclusive
On its second album, the Asheville five-piece goes big and loud, scaling up its shoegaze-indebted sound while frontwoman Karly Hartzman buries an undercurrent of anxiety beneath the clutter.
Each track is a stunning reinterpretation of songs from Bridgers' critically acclaimed album "Punisher", taking them to new heights with Moose's lush and haunting string accompaniments. The result is a mesmerizing and emotional listening experience,
Genre and sound-encompassing the shaggy psychedelic rock of the 1960s and '70s, and the airy sounds of 1990s mod-post-rock-taking listeners on an auditory expedition, as if they're riding in the back of Bear's Filipino jeepney that adorns the album's cove
The most organic balance of his various interests yet, leading his band of longtime collaborators through an electric, jazzy suite of songs that feels both intricate and effortless.
The South Londoner's blood and guts spirit, that wink and grin of devious charm, is still present, it's just that it's grown into something bigger, something deeper, more ambitious and unflinchingly honest.
After announcing their comeback earlier this year and releasing a series of new songs, Bright Eyes have finally shared the details of their first album since 2011's The People's Key.
Written and recorded in Los Angeles in 2019, featuring the work of Yeah Yeah Yeahs' guitarist Nick Zinner; Carla Azur (Autolux, Jack White); Dawes' Wylie Gelber and Griffin Goldsmith, Christian Lee Hutson and Anna Butterss.
Bury Me at Makeout Creek is the third studio album by Japanese-American indie rock musician Mitski, released through Double Double Whammy on November 11, 2014.
Punisher, Phoebe Bridgers' fourth release and second solo album, is concerned with heartbreak. To say she writes about heartbreak is to undersell her blue wisdom, to say she writes about pain erases all the strange joy her music emanates.
On the heels of three well-received singles comes Ride Your Heart, the bombastic debut album by LA band Bleached. Sisters Jennifer and Jessie Clavin match their ability to blend a mix of freewheeling '77 punk with vintage sunny Southern California melodic
Acclaimed Swedish folk troubadour The Tallest Man on Earth (aka. Kristian Matsson) will releases his second full-length, 'The Wild Hunt'. It is impossible to discuss The Tallest Man on Earth's music without acknowledging Bob Dylan. The seeming effortlessn
