Newly Recorded Versions of Classic Songs from the Era of Lifted or The Story Is in the Soil, Keep Your Ear to the Ground! Includes "You Will. You? Will. You? Will. You? Will." & "Waste of Paint"!
Featuring Gillian Welch & Becky Stark!
Produced by Grammy Award winner Blake Mills, the record sees front-woman and songwriter Michelle Zauner pull back from the bright extroversion that defined its predecessor Jubilee to examine the darker waves that roil within.
After a decade making the most of improvised recording spaces set in warehouses, trailers and lofts, Japanese Breakfast's fourth album, For Melancholy Brunettes (& sad women), marks the band's first proper studio release.
With a luxurious nine tracks - three re-imaginings and six brand new songs - More Photographs (A Continuum) is prequel, sequel and primer to an already rich and generous record from one of our most luminous modern songwriters.
It's only fitting that Khruangbin's first-ever official live releases would be albums paired with their tourmates: artists whose music they love and admire, friends who've become family along the way.
Khruangbin's 'Live At' series of live LPs traces just one small slice of the band's flight plan through the years: it's a taste of some of their most beloved cities, stages and nights. Each release comes with a limited-edition unique album cover exclusive
On its second album, the Asheville five-piece goes big and loud, scaling up its shoegaze-indebted sound while frontwoman Karly Hartzman buries an undercurrent of anxiety beneath the clutter.
On the heels of three well-received singles comes Ride Your Heart, the bombastic debut album by LA band Bleached. Sisters Jennifer and Jessie Clavin match their ability to blend a mix of freewheeling '77 punk with vintage sunny Southern California melodic
Phoebe Bridgers' Stranger in the Alps: Haunting debut album blending introspective folk, raw emotion, and poetic storytelling with minimalist indie rock
Dark Bird Is Home doesn't feel like it came from one time or one place. This is Kristian Matsson at his most personal and direct, deeper and darker than ever at times, but it's also an album with strokes of whimsy and the scent of new beginnings.
Toro y Moi's 'Sandhills' is both a tender love letter to Chaz Bear's hometown of Columbia, South Carolina, and a poignant, bittersweet acceptance that one can never really go back home
'Live at The Fillmore Miami' features performances by Toro y Moi and Khruangbin. This series ignites both sides of the band's magic: the warm, prismatic feeling of their albums and the bewitching energy of their performances.
This last wave contains, in Noise Floor, early Bright Eyes songs so raw Oberst never even released them back in the day, as well as, in Cassadaga and The People's Key, the band's most polished and sophisticated albums.
A gorgeous and gripping portrait of Fenne's last two years, Big Picture was rarely easy for it's author to produce but it's contents offer a brilliant catharsis.
"I wish I could tell my younger self 'you don't have to stick to the dreams people have for you. You can dream bigger. You are more than capable, you are more than able. I think about some nerdy punk kid in the rural south who needs to hear that now.'"
