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If 'For Emma, Forever Ago’ was the crisp, isolation of a northern Winter; ‘Bon Iver’ the rise and whirr of Spring; and '22, A Million', a crazy energy Summer record, ‘i,i’ completes the cycle: a fall record; Autumn-colored, ruminative, steeped.
The descent into darkness is a trope we find time again across history, literature and film - a protagonist plunging further and further into the depths. But there is also an abyss above.
Visceral 2016 album! Gritty outsider-pop 'n' sauntering punk from the Brooklyn DIY auteur, on Dead Oceans. For fans of St Vincent and Liz Phair. Includes "Your Best American Girl" and "Happy".
An exhilarating complement to her past work, and one for which Olsen recalibrated her writing/recording approach and methods to enter a new music-making phase.
The first-ever vinyl reissue of Wye Oak's debut album, If Children. The duo of Jenn Wasner (Flock of Dimes) & Andy Stack (Joyero, Lambchop) were first introduced to a wider audience with this gauzy collection of indie folk impressions.
Bury Me at Makeout Creek is the third studio album by Japanese-American indie rock musician Mitski, released through Double Double Whammy on November 11, 2014.
Harmless is a colorful mix of emotions woven seamlessly with bright electronic synths, smooth vocals, and the occasional playful saxophone. Bedroom recording to the max
Recorded in Chicago's Cook County Jail on a hot fall day in 1970 and released the following year, the recording of this historic event hit #1 on the Billboard R&B charts, #3 on the Jazz charts, and #25 on the Top 200.
Their 1982 debut album, I Don't Want To Die In Your War, was recorded and mixed by legendary producer and sound engineer for Black Flag and Descendents, SPOT. It is a major example of California Hardcore from the early 80's.