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On Flying Lotus's 6th album, his sweeping jazz-funk feels limitless. It sounds more like a sketchbook, each minute crafted with great care and technical dexterity. He spent the past 5 years working on the album; 10 tracks swelled to more than 2 dozen.
The 2nd album, a combination of soft rock, pop, and in some cases, bits of soul and disco, which creates an alluringly hazy backdrop for Bundick's emotive, mellow vocals.
Z’ is an album of rebirth infused with the hope that things might turn alright; it’s about mourning the loss of partners and lovers, but also celebrating the emergence of new friends and the potential inherent in each day.
Reviving the Chet Faker persona he'd abandoned back in 2016, Nick Murphy finds salvation in the hypnotic grooves and dark electronic soul of Hotel Surrender.
Anything in Return serves as a tidy synopsis of everywhere Bundick has taken Toro Y Moi to date. So there's silky R&B, roller-rink pop, bubblegum funk, tasteful chillout music, all unified by a voice that's grown more confident with time. -Pitchfork
Genre and sound-encompassing the shaggy psychedelic rock of the 1960s and '70s, and the airy sounds of 1990s mod-post-rock-taking listeners on an auditory expedition, as if they're riding in the back of Bear's Filipino jeepney that adorns the album's cove
"Moonbeams was the first album Bill Evans made after the death of his musical right arm, bassist Scott LaFaro. An album of ballads, it was a startling return to the recording sphere and a major advancement in Evans' development as a leader." -Thom Jurek