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The XX unique make-up is an inadvertent second nature marriage of 2009's urban/guitar tribes, in one corner fluttering new wave indebted reverberation, in the other, plumes of post-dubstep sub-bass and figuratively, their defining core of rich R&B vocals.
The debut album from Australian electronic musician/producer Flume, aka Harley Streten, Flume is an atmospheric, experimental mix of electronic dance-oriented sounds that touches upon aspects of R&B, indie rock, and pop.
Reviving the Chet Faker persona he'd abandoned back in 2016, Nick Murphy finds salvation in the hypnotic grooves and dark electronic soul of Hotel Surrender.
Did you say Bath-House?", was the initial response when I proudly announced to a Norman-troglodyte about the newest, ear blastingest, front-over-sideways puke-a-thon noise-rocking trio Bathouse from Malmö (Swe).
On his sole album as a leader, bassist Melvin Jackson - a veteran of the Eddie Harris band- plays with a bow, plucks and plugs his upright bass into a Maestro G-2 filter box, a Boomerang, an Echoplex, and an Ampeg amp.