Double vinyl LP pressing in gatefold jacket. "Cancionera" includes the following "Como Quisiera Quererte", "Amor Clandestino" "Cancionera" and many more.
De Ti Depende (It's Up To You) is salsa legend Héctor Lavoe's second solo album, released on Fania Records in 1976, in which he steps out as the leader of his own orchestra for the first time.
La Voz is Hector's debut solo album after his split with Willie Colon and features many members from Willie's original band. His versatility as a vocalist and sonero is on display as he goes from boleros to Salsa with ease.
The original is not that easy to find today and carries a hefty price. Thankfully, it has been remastered from the original tapes, fully licensed, with the original artwork, preserving and presenting the legacy of this great Venezuelan music.
PAUSA + PLAY were released digitally only, this LP vinyl is available for the first time. Includes the hits "Tiburones", "Recuerdo", "A Veces Bien y A Veces Mal", Otra Noche en L.A." and many others.
Maydon brings together a stellar lineup of collaborators including Junior H, Peso Pluma, Fuerza Regida, Tito Double P, Neton Vega, Luis R Conriquez, Gabito Ballesteros, Anuel AA, and Victor Mendivil.
"Meridian Brothers & El Grupo Renacimiento" is an effort from Meridian Brothers to excavate the forgotten sounds of fantastical 1970s salsa dura group El Grupo Renacimiento
"Mi Latinoamérica Sufre" is a concept album whose sonic footprint was born from the desire to explore the untapped potential of the electric guitar in a tropical Latin context.
SOY COMO QUIERO SER was Luis Miguel's first studio album signed under Warner Music which was released in 1987. Many of of the songs featured here are Spanish-language adaptations of popular songs from the 1960s, 1970s and 1980s.
The last collaboration between renowned Puerto Rican bandleader Tommy Olivencia and the great improvisational salsa singer Chamaco Ramirez released on Fania Records in 1975.
Opa's Goldenwings is a latin-jazz-fusion extravaganza that weaves a sonic world that lives at the intersection of lush three-part vocal harmonies, tender flute solos, pulsating percussions and robust synth textures.
A glorious return to the iconic grooves of an era indelibly marked by Benny Moré and Perez Prado in New York bands and Cuba's orquestas gigantes of the mid-twentieth century.
