Everybody Digs Bill Evans is an album by jazz musician Bill Evans. It was released in early 1959 on the Riverside label.
Everybody Digs Bill Evans was Evans's second album, done two years after his first record as a leader. Though his producer (Orrin Ke
Mingus, Charles - The Black Saint and The Sinner Lady LP
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There's nothing else in jazz quite like this collection recorded — astonishingly — in just one session on January 20, 1963. With liner notes written by Mingus's psychotherapist, the album uses ornate ensemble orchestration to produce a sound somewhere bet
Musicians certainly don't have it easy with record companies. First of all, they must struggle to even get a contract. Then, when their debut release has proved a success, they are bandied around from one arranger to another in all the recording studios i
Strut present the definitive collection of singles released by Sun Ra across his illustrious career, spanning 1952 to 1991. Released prolifically during the 1950s and more sporadically thereafter, primarily on the Saturn label, the 45s offer one-off meteo
The members of the original Joshua Redman Quartet—Redman (saxophone), Brad Mehldau (piano), Christian McBride (bass), and Brian Blade (drums)—reunite with RoundAgain, the group’s first recording since 1994’s MoodSwing. The album features seven newly compo
If this is blues, it's blues in the Billie Holiday sense, not the Muddy Waters one. This is one of Nina Simone's more subdued mid-'60s LPs, putting the emphasis on her piano rather than band arrangements.
In the Wee Small Hours is the ninth studio album by American vocalist Frank Sinatra. It was released in April 1955 by Capitol and produced by Voyle Gilmore with arrangements by Nelson Riddle. All the songs on the album deal with themes such as loneliness,
Songs for Distingué Lovers is an album by jazz singer Billie Holiday released in 1957 on Verve Records.[3] It was originally available in both mono, catalogue number MGV 8257, and stereo, catalog number MGVS 6021. It was recorded at Capitol Studios in Los
Nina Simone at Newport is an album by jazz singer and musician Nina Simone. It was her second live album for Colpix, recorded at the Newport Jazz Festival on June 30, 1960. All arrangements were written by Nina Simone, and it was produced by Stu Phillips.
PRE ORDER - John Coltrane- Giant Steps 60th Anniversary(Deluxe 2LP!)
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PRE ORDER a remastered, deluxe 2-LP with the original album plus a bonus disc of alternate takes and versions – including rehearsal and incomplete tracks, as well as false starts!
Vinyl LP pressing. Kamasi Washington's sophomore album Heaven and Earth not only fulfills it's overarching ambition, but illustrates the dialectic between seen and unseen, real and imagined, citizen and culture, self and self, as well as self and other, a
Moanin' includes some of the greatest music Blakey produced in the studio with arguably his very best band. There are three tracks that are immortal and will always stand the test of time.
On his second Blue Note album Smoke Stack, pianist and composer Andrew Hill used an unusual line-up of two bassists (Richard Davis and Eddie Khan) along with the masterful Roy Haynes on drums. Blue Note founder Alfred Lion considered Hill to have as disti
Could there be any more confrontational sound in Miles Davis' vast catalog than the distorted guitars and tinny double-timing drums reacting to a two-note bass riff funking it up on the first track from On the Corner?
Inventions & Dimensions is the third album by Herbie Hancock, recorded on August 30, 1963 for Blue Note Records. The album was also re-released in the mid-1970s as Succotash credited to Hancock and Willie Bobo [4] but with side reversed, therefore. It sta
