Limited 180gm vinyl LP pressing. Gerry Mulligan Meets Ben Webster was just one of many "meets" albums that Gerry Mulligan appeared on during the period when this classic was recorded - Nov. 3 and Dec. 2, 1959, in Los Angeles.
The 1959 record Gerry Mulligan Meets Johnny Hodges, a collaboration between the two great jazz saxophonists, has been reissued as the latest release from Verve's Acoustic Sounds Series.
We’ve gone back to the original tapes to present an all-analog release of The Psychedelic Saxophone of Charlie Nothing/In Eternity with Brother Frederic on black vinyl.
After nearly two years, Okonski returns with Entrance Music - an album that finds the trio at the height of their improvisational prowess and celebrating the spontaneous and meditative.
Their follow-up album expands their sonic world into a meditative and boundary-pushing space, blurring the lines between composition and improvisation, melody and abstraction.
In addition to two unreleased 78s with the McShann band, this set offers two sets of private recordings made with local musicians and a very relaxed-sounding Parker.
This 1957 release, the third in a series of albums expanding on Bird's 10-inch Clef releases from the early 1950's, 'Now's The Time' boasts some of Parker's purest recordings and strongest playing, featuring two different quartets.
Happy Today, the third album from guitarist/bandleader Jeff Parker’s ETA IVtet, was recorded live at Lodge Room in Los Angeles. This record captures Parker and the band on record outside of the now-shuttered Highland Park micro-club ETA for the first time
With "Love Is Simple," Jeremy Pelt returns to the art of balladry, distilling eight deeply felt performances into his first vinyl-only anthology and shining a light on one of the most quietly persuasive sides of his artistry.
Late-night alto, close and immediate. This 180g Jazz Wax reissue collects Art Pepper’s mid‑1950s sessions; taut, lyrical alto supported by a tight, hard‑swinging rhythm section. Hear it on the ballad “Patricia” and the brisk opener “Pepper Returns.” Press
An August 1964 New York session that pairs Peterson's established trio - Ray Brown (bass) and Ed Thigpen (drums) - with guest Clark Terry (trumpet/flugelhorn).
“Phi-Psonics is a spiritual exploration of being together and connecting,” says acoustic bassist Seth Ford-Young of the immersive project he initiated in East Los Angeles in 2016.
Infinity Mirrors' is a representation of the ongoing process of learning about who we are and how we chose to live our lives. Taking moments to reflect on where we have come from, where we currently are, and where we might be going.
The fourth volume of The Amazing Bud Powell series, recorded in 1958, found the brilliant bebop piano master in particularly fine form on an ebullient set of his original tunes.
Ships - 7/17/2026 - A blunt hard-bop classic reissued in Blue Note's Essentials line. Pressed on 140g vinyl, Art Blakey & the Jazz Messengers’ Moanin' features Bobby Timmons’ famous title cut with Lee Morgan and Benny Golson.
Ships - 7/17/2026 - Lee Morgan’s The Sidewinder, the hard-bop landmark built around the title track’s irresistible groove, is reissued in Blue Note’s Essentials series on 140g vinyl (mastered from hi-res digital masters).
Ships - 7/17/2026 - Horace Silver’s Song for My Father collects his signature 1960s Blue Note sessions on a Blue Note Essentials LP pressed from hi-res masters on 140g vinyl; including the title classic that made Silver a hard-bop touchstone.
Ships - 7/17/2026 - Bobby Timmons’ 1960 leader debut, pressed on 180g vinyl as part of the Original Jazz Classics series. All-analog lacquers and RTI pressing preserve the pianist’s soulful hard-bop, including the classic 'Moanin''.
So It Is! (2017) finds the classic Preservation Hall Jazz Band sound invigorated by a number of fresh influences, not least among them the band’s 2015 life-changing trip to Cuba.
