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Two notable sidemen collaborate on an elusive instrumental album inspired by funk, West African, and Cuban music. The melodies are fleeting and the arrangements ever-shifting.
Interplay is a 1963 album from legendary jazz pianist Bill Evans, originally released on the Riverside label. Joining Evans are Freddie Hubbard (trumpet), Jim Hall (guitar), Percy Heath (bass), and Philly Joe Jones (drums).
An iconic figure of the Bossa Nova movement, Brazilian pianist, composer, and arranger Joao Donato (1934-2023) introduced a new original rhythm pattern to the genre. A Bossa Muito Moderna is one of his most highly rated.
Their follow-up album expands their sonic world into a meditative and boundary-pushing space, blurring the lines between composition and improvisation, melody and abstraction.
Something to Consume, Ava Schrobilgen, Chloe de St. Aubin, Ellie Livingston, and Kate Halter fight against the inescapable consumption that surrounds life.
Dozens of cherished recordings were made during the legendary “golden age” of Ethiopian music, an era stretching from the early 1960’s through the mid-1970’s.
Of all the artists past and present who claim to let their music do their talking for them, Untrue, is a record of weird Soul music, which lovingly processes spectral female voices into vaporized R&B and smudged two-step garage.