The closeness of Natalie Mering's 3rd album conceals it's aspirations to the outside, to the "Earth" of it's title. These are not typical love songs or protest songs of folk before; they are painful, poignant riddles that celebrate the ambiguity of love.
Her first album fully recorded in a professional studio setting, Quiet Signs finds Jessica Pratt's songwriting and accompanying guitar work refined - more distinct and direct.
On Cosmic Wink, Jess Williamson’s third album following the self-published Native State and Heart Song, an artist emerges as another self in love, under California’s influence, and a part of an even wider consciousness.
