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The closeness of Natalie Mering's 3rd album conceals it's aspirations to the outside, to the "Earth" of it's title. These are not typical love songs or protest songs of folk before; they are painful, poignant riddles that celebrate the ambiguity of love.
Her first album fully recorded in a professional studio setting, Quiet Signs finds Jessica Pratt's songwriting and accompanying guitar work refined - more distinct and direct.
Narcissism fatigue. A galaxy of isolation. These are the new norms keeping Weyes Blood (aka Natalie Mering) up at night and the themes at the heart of her release, And in the Darkness, Hearts Aglow.
The phantom zone, the parallax, the upside down - there is a rich cultural history of exploring in-between places. Through her latest, Titanic Rising, Weyes Blood aka Natalie Mering, has designed her own universe to soulfully navigate life's mysteries.
Lives Outgrown is the culmination of a decade's worth of songwriting for Gibbons, with the singer ruminating on motherhood, anxiety, menopause, and mortality over the course of the album's 10 tracks.
On her fourth album, west coast artist Jessica Pratt expands the scope of her artistry, placing her sharpest songs to date within an ever-broadening pool of influences including spectral '60s pop, Hollywood psychedelia and bossa nova.
Influenced by AOR and jazz, Brettin began working on Mild High Club material in 2012 by himself, using guitars, keyboards, computers, and a four-track recorder, while shuttling between Chicago, Baltimore, and Los Angeles.