The National's second album, Sad Songs For Dirty Lovers (2003) proved a leap forward from 2001's eponymous debut, showing a band adept at delivering warm embraces and gut punches in equal measure.
Anchored by evocative melodies and an enthralling lyrical narrative, First Two Pages of Frankenstein finds The National sounding more creatively energized than ever and poised to earn them even more fans.
The Australian musician caps an adventurous trilogy of EPs with another round of plush, laid-back songs that effortlessly mix pop, rap, R&B, and reggae.
Lush's final studio album, Lovelife, landed whilst Britpop was in full swing (Jarvis Cocker even duets with Miki on the track 'Ciao!'), managing to fit in whilst sticking to the rules they set themselves with prior albums