If Kick I was a multidimensional self-portrait that held all of Arca's many mutations, Kick II sees her deconstruct reggaeton rhythms she grew up listening to in Caracas, balancing structure and chaos to create her most accessible work yet.
Kick III sees her returning to the club nights that shaped her early adult-hood where Arca was born: the surrealist DJ, warping dance music structures to fit her singular vision-relentless rhythms to drive listeners into uncharted states of euphoria.
With Kick IIIII, Arca focusesentirely on quieter ambient pieces, mainly on piano, plucked strings and swirling pads. Famed Japanese composer Ryuichi Sakamoto makes a guest vocal appearance on "Sanctuary".
The album, finished in London with longtime confidante Dillip Harris is 37 minutes of Mount Kimbie at simultaneously their most daring and their most giddily infectious.
A must-have for collectors of Elfman, Pee-wee, and film scores, “Big Top Pee-Wee” captures the magic, mischief, and musical imagination of a one-of-a-kind cinematic clown.
The 3rd studio album from British legends The Pogues. The album also saw the band begin to move away from their Irish folk/punk roots and start to incorporate musical styles from other parts of the world, most notably Turkey and Spain.