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Genre and sound-encompassing the shaggy psychedelic rock of the 1960s and '70s, and the airy sounds of 1990s mod-post-rock-taking listeners on an auditory expedition, as if they're riding in the back of Bear's Filipino jeepney that adorns the album's cove
"Ghostface teams up with Toronto jazz-funk dons BADBADNOTGOOD for Sour Soul, his latest foray into working with a live band. It features collaborations with DOOM, Danny Brown, Tree and more." -Pitchfork
Toro y Moi's 'Sandhills' is both a tender love letter to Chaz Bear's hometown of Columbia, South Carolina, and a poignant, bittersweet acceptance that one can never really go back home
The album blitzes anthemic pop-punk next to autotuned, melancholic rap - two genres that inform one another now more than ever before - and packs in the most features ever on a Toro y Moi album.
'Live at The Fillmore Miami' features performances by Toro y Moi and Khruangbin. This series ignites both sides of the band's magic: the warm, prismatic feeling of their albums and the bewitching energy of their performances.
Guns N' Roses' 1987 debut album Appetite for Destruction changed history. Unlike anything else of its time, the music was primal and gritty, defined by a solid, hard, bluesy base and dark, sleazy, dirty, and honest themes.
This 1975 album is one of a kind in lots of ways. First, it's keyboardist Roland Haynes' only album. But more importantly, Second Wave has a sound-and line-up-unlike pretty much any other jazz fusion album to comeout before or since.
BANE / IT ALL COMES DOWN TO THISI know that remixing and remastering can always be a touchy subject, but Bane truly believes that this record finally got the justice it deserves. Vinyl LP pressing.
