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The two biggest constants throughout Xiu Xiu's catalog are honesty and evolution. This remains true with Dear God, I Hate Myself as it delivers a look at responsibility, fear, healing, and societal roles wrapped in rich gothic pop music.
Struck for circulation after 63 years in hock within the Lou-Mood Pictures vault, this previously unissued soundtrack traffics in the high-tone timbre and highball-sipping swoon of pop's post-war years.
This Singaporean five-piece explored the tolls of human indulgence through raw tonality and zippy jangle pop, poignantly celebrating the spirits of a natural world fast disappearing.
Where GaGa excels, and why she crossed over, is how she doesn’t leave all this as a collection of hooks and rhythms, she shapes them into full-blown pop songs, taking the time to let the album breathe with chillout ballads and percolating new wave.
Return of the Boom Bap is KRS-One's first official solo album. KRS takes a step back from the production duties and invites rising underground stars DJ Premier, Showbiz and Kid Capri to handle the beats in addition to his four contributions.
Rage, confusion, despair, self-deception, and introspection-Madi Diaz cycles through the full spectrum of emotions on History Of A Feeling, her debut on ANTI-.
The third album from the Brooklyn quartet is an intimate and surreal experience, a true masterpiece of folk music from a band working together at the highest level.