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Ten years ago, Interpol’s debut album seized the imagination of a generation. The spare, lean textures, darkly oblique lyrics and suave stage presence were entirely different from the bands who preceded them on the charts and the radio.
"The nobility of the human spirit is to recover and rebound," he says. "Yeah, I could focus on how f***ed everything is, but I feel now is the time when being hopeful is necessary, and a still-believable emotion within what makes Interpol Interpol."
With ‘Antics,’ Interpol has delivered a disc even more engaging than its celebrated predecessor, without sacrificing any of the depth that has made them such an important band for so many.
A welcome, if not an unorthodox sequel to 2018’s Veteran. Cornballs still possesses Peggy’s trademark sense of humor, but the moments that impress the most are when the music is somber and meditative.
Originally released in June of 1989, Bleach was widely recognized as a record music retailers should probably order after that one with the naked baby on the cover did so well in 1991.
Swimming was immediately understood by both his fans and critics alike as the high water mark of Miller's career: an album that perfectly showcased the musical chops he had developed vocally and instrumentally over the course of a decade.