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Ten years ago, Interpol’s debut album seized the imagination of a generation. The spare, lean textures, darkly oblique lyrics and suave stage presence were entirely different from the bands who preceded them on the charts and the radio.
The album features previously unreleased soundtrack demos sung by the film's composer, Harry Nilsson, including two songs written for the film but never used, ''Everybody's Got To Eat,'' and ''I'd Rather Be Me.''
The album finds him further exploring a sound that first found success in the electronic and noir-pop spaces, and now explores deeper roots in folk structures and an aching, emotive balladry.
