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Creator of the first course of electronic music at the Milan Conservatory, Paccagnini is one of the least known figures of the original Italian early Electronic Music scene, above all due to the absence – until today – of recordings of his works...
Syrinx's path veered from the dominant modes of '70s subculture, their version of chamber pop hybridized with wild, whimsical electronic experimentation charting new territory in the under and overground.
Fourth studio album by English electronic musician, Richard D. James (ska Aphex Twin). Originally released in 1996, the album is regarded as his 'drill 'n' bass' showpiece.
It’s a record that effortlessly juxtaposes chopped up electronics and ghostly effects with James’ supersweet voice to create eleven strange but simple pleasures.
Within Autobahn, the roots of electro-funk, ambient, and synth pop are all evident -- it's a pioneering album, even if its electronic trances might not capture the attention of all listeners.
On her fourth studio album Myrtus Myth, she draws on mythologies both public and personal to craft an expansive experimental pop album and Dante-esque journey through the self.
Hurting is the second and most recent album from the extremely popular slowcore, lo-fi bedroom artist sign crushes motorist, who has also released music under the name Birth Day.
Noisy and experimental, Britain's Swell Maps experienced little commercial success during the course of their chaotic career, but in hindsight they stand as one of the pivotal acts of the new wave.