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For its fourth studio album, Fugazi began to move into more experimental styles of music, including noise punk, psychedelia, and dub. Fugazi opted to retreat from the in-your-face production values of In on the Kill Taker.
Keith Morris and his crew of punk rock misfits, featuring members of Red Kross and Hot Snakes, reissue their first four EPs of fire-spitting hardcore punk that attempts to sound and look like a Black Flag record.
16 tracks in just under 16 minutes, the album is a blast of the kind of raw hardcore, serving as a reminder that as long as you have plenty of volume, attitude, and anger, everything else will fall into place.
9 songs of crushed, mangled, melted analog synths and pounding bass drums, a journey across time in real time on the only vehicle we have to experience it.
Critic Katie Toms of London's the Observer addressed fan speculation in an advance review: Boy, was it worth the wait.... Simple and soothing, yet rich and rewarding, this is an album you unknowingly yearn for, like a cool hand on a hot forehead.
June 1968, after Kennedy's assassination, Darin withdrew from the spotlight and embarked on an unlikely personal journey for a secluded trailer at Pfeiffer Beach in Big Sur. This is the album he made.