This record is a step forward from Spiritualized's denser space rock of the first three full-lengths to a sweeping orchestral sound with large swaths of strings, brass and choir helping to fulfill the widescreen splendor.
Recorded with Jason Quever of Papercuts, Sugar Candy Mountain's sophomore album sits comfortably between 60's Laurel Canyon bliss and more modern production of Dave Fridmann (Flaming Lips/Tame Impala).
Gizz is back at it, reinventing their sound once more. This spin around they take a shot at a fusion of glam and psych, with an orchestra thrown into the mix.
The record features a "minimalist and crunch" sound, a more "playful vocal range" than his previous work, and explores themes of self-medication in place of self-care within everyday life.
Odessey and Oracle, The Zombies' second album, has been named as one of Rolling Stone's 500 Greatest Albums of All Time and has been dubbed "a psych-pop masterpiece... decades ahead of it's time" by Pitchfork.
Released in Germany in March 1966, Black Monk Time by The Monks has become a cult classic & praised as a groundbreaking forerunner to punk and Krautrock.
OSEES are back with Abomination Revealed At Last, a face-melting, furious fusion of punk, garage, noise, and synth-punk. It's an album that feels fueled by consternation and rage...that somehow manages to be just really, really fun.
Trash Classic, a record that snarls with proto-punk venom, angular melodies, and electronic textures that cough and sputter like dying neon lights under a poisoned sky.
Influenced by AOR and jazz, Brettin began working on Mild High Club material in 2012 by himself, using guitars, keyboards, computers, and a four-track recorder, while shuttling between Chicago, Baltimore, and Los Angeles.
These tracks capture Patton at his most urgent and unfiltered, delivering fierce slide guitar, hollered vocals, and lyrics steeped in mystery, defiance, and deep Mississippi soul.
City of Gold follows Tuttle's 2022 record, Crooked Tree, which won Best Bluegrass Album at the 65th Annual GRAMMY Awards and led NPR Music to call her, "a female flat picker extraordinaire with agility, speed and elegance..."