"Since tapering off from Mac DeMarco’s live ensemble in 2014, Peter Sagar has brazenly pursued his own creative endeavour as Homeshake. Sagar’s first three records made a languid hop-skip-jump to praise as the band slowly acclimatised to a sound that stra
Born in the bleak isolation of the secluded prairie city of Edmonton, Canada, Homeshake's Peter Sagar worked with friends in a number of local bands before picking up and moving to Montreal in 2011 to begin recording under the Homeshake moniker. Following
Crumb is the collaboration of Brooklyn-based musicians Lila Ramani (guitar, vocals), Brian Aronow (synth, keys, sax), Jesse Brotter (bass), and Jonathan Gilad (drums). The friends came together in 2016 with the goal of developing and recording a collectio
His sophomore album that trades a guitar for a synth and a drum machine, pulling from house pioneers to Japanese starlets, but slowing it down with his own homemade drowsiness.
Influenced by AOR and jazz, Brettin began working on Mild High Club material in 2012 by himself, using guitars, keyboards, computers, and a four-track recorder, while shuttling between Chicago, Baltimore, and Los Angeles.
These tracks capture Patton at his most urgent and unfiltered, delivering fierce slide guitar, hollered vocals, and lyrics steeped in mystery, defiance, and deep Mississippi soul.
City of Gold follows Tuttle's 2022 record, Crooked Tree, which won Best Bluegrass Album at the 65th Annual GRAMMY Awards and led NPR Music to call her, "a female flat picker extraordinaire with agility, speed and elegance..."