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The third album from the Brooklyn quartet is an intimate and surreal experience, a true masterpiece of folk music from a band working together at the highest level.
The trails that Brooklyn’s Big Thief -- Adrianne Lenker, Buck Meek (guitar), Max Oleartchik (bass), and James Krivchenia (drums) -- take us down on Capacity, the band’s highly critically acclaimed, are overgrown with the wilderness of pumping souls.
Never one to be on time for a party, the label is commemorating that landmark this year with the release of Bills & Aches & Blues. The compilation features 18 of it's current artists covering a song of their choosing from 4AD's past: a creative experimen
Focusing on tracks previously available only on limited-edition compilations, vinyl-only releases, or as B-Sides or international singles, The Destroyed Room also features material that has never before been released.
The Bridge was originally released on Throbbing Gristle's Industrial Records label in 1979 and is considered to be an early electronic avant-garde synth-pop masterpiece.
An immersive work that conveys the magic of the earth and of family, and the whole of the band's heart. For all of June of 2019, amid a hot and rainy summer.
The hauntingly grandiose new Hulder album Verses In Oath, created during the dreariest cold months of the Northwest winter, constitutes untamed manifestation thus far in the band's journey of conquest.
Soccer Mommy's album’s sonic landscape is vast and dexterous, with melodies that shimmer on the surface, but reveal an unsettling darkness with each listen.