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Lasooing together white-knuckle posthardcore tension, sharply focused slowcore serenity, and resplendent jazz complexity, Karate eschewed settling in any one definiable style.
The Ophelias' The Crocus was recorded at night in a converted "2000 percent haunted" Masonic lodge, which surely had an effect on the album's ability to weave darker tones through the taut song structures.
The album was produced by the multi-Grammy Award winning Ariel Rechtshaid (Vampire Weekend, Haim, Adele) and contains 10 tracks informed by everything from lo-fi post-punk to indie-folk to early-'90s dance-pop psychedelia.