On Suicide's First Rehearsal Tapes, recorded in 1975, Alan Vega and Martin Rev create minimalist aural structures, traces of which would surface on their eponymous debut album, released on the Red Star label in late 1977.
A pinnacle of progressive rock. More than four decades after its release, it remains a genre unto itself -- a mishmash of heavy and soothing, beautiful and unsettling, experimental and melodic.
Safe in the Hands of Love marked the vanguard arrival of Yves Tumor. Unclassified and unannounced, the release received widespread acclaim and cemented itself as a landmark in the hallowed Warp catalog. The experimentalist voiced a new generation, creatin
Channeling the lessons of the experimental Porcupine into more conventional and simple structural parameters, Ocean Rain emerges as Echo & the Bunnymen's most beautiful and memorable effort.
Dig further into the Wamono sound – the cream of the Japanese jazz, funk, soul, rare groove and disco music developed throughout the years since the end of the sixties in Japan!
One of the few soundtracks Goblin did that was not a horror movie. Instead they nail the 70's police flick vibe perfectly, and in a way that only Goblin could do.
Fierce, filthy, and full of blasphemy and overboard metal attitude, Welcome to Hell by Venom was a landmark change for metal in the early 1980s since it laid out the grittier side of the new wave of British heavy metal.
M3LL155X is more ambitious than ever before and, in terms of concept, scope and execution, is undoubtedly one of FKA Twigs' most complete works to date.
The Golden Casket heralds another new chapter in the band's unpredictable evolution. Produced with Dave Sardy and Jacknife Lee in Los Angeles and in Modest Mouse's studio in Portland, the album hovers in liminal space.
Cub Scout Bowling Pins hop in the "Magic Taxi", turn on the AM radio and time travel forty to forty-five years back in time. The project is mysteriously presented, but it's a thinly-veiled alias of the ridiculously prolific and talented Guided By Voices.
No More Shall We Part leaves listeners in awe, full of complex emotions, and pondering the notion that they've been in the presence of great redemptive art, which Henry James calls "the thing that can never be repeated."
Henry's Dream undeniably epitomises - much more so than any of their other albums - the loss of control that ensues when one has exerted but a slippery grip on some very vertiginous circumstances. Ironically, Henry's Dream became one of the Bad Seeds most
