Ships 7/3/26 - First vinyl pressing on deadair, expanded to a two-LP issue with two vinyl-only tracks; intimate, meticulous songwriting; includes 'your clothes'.
Ships - 7/17/2026 - A ten-year-anniversary vinyl pressing of Mystery Skulls' debut Forever, rendered for late-night rigs and warm listening rooms. Luis Dubuc's glossy synth lines and disco-tinged bass hit with analog weight here; hear the haunted falsetto
Ships 7/3/26 - A late-night reissue: Jane Remover's Census Designated on 2LP (milky clear vinyl), ten tracks of hazy guitars, glitched percussion and fragile, high melodies; includes the widescreen 'Video'.
Ships 8/21/26 - A lean, live double-LP capturing Story So Far across U.S. shows; 21 tracks of raw, high-energy performances including a live Big Blind. Includes songs from across the bands discography such as "Quicksand" and "The Glass"
Ships 8/23/24 - After years out of print, The Prodigy have re-pressed their third album in time for its 20th anniversary. The album features the hit singles 'Girls', 'Hotride' & Spitfire'.
Ships 9/26/25 - Purity Ring's self-titled fourth album marks the beginning of a bold new era, the duo have crafted a concept album that serves as the soundtrack to an imagined RPG.
Another Eternity is a polished evolution of Purity Ring’s signature "witch house" sound, trading dark, cavernous textures for crystalline synth-pop. It features Megan James’s ethereal vocals layered over Corin Roddick’s sharp, hip-hop-influenced beats.
It’s a record that effortlessly juxtaposes chopped up electronics and ghostly effects with James’ supersweet voice to create eleven strange but simple pleasures.
On their third studio album, Purple Disco Machine collaborate with artists such as Metronomy, Jake Shears, Duke Dumont, Sophie and the Giants, Nothing But Thieves and many more.
Sonically, the album blends trip hop, electronica, alternative, techno, and indie, drawing inspiration from artists like MF Doom, Massive Attack, and The Knife.
Tropics is characterized by a "fully live disco workout" aesthetic, utilizing New York City session musicians to create an organic, celebratory sound that blends deep house with funky basslines and soulful arrangements.
Classics remains resolutely instrumental, but the band has introduced a wealth of new sounds, from acoustic and slide guitar to sleigh bells and cello. Their vastly improved production and writing makes this record a refinement of their art.
This is a record torn between a modern computer funk sound with links to the Hudson Mohawke brand of contemporary hip-hop, and archaic string, synth and guitar-led passages.
