After a long hiatus, Massive Attack returned in 1998 with Mezzanine, a record announcing not only that the group was back, but that they can create a masterpiece as good as their debut.
black midi -- Geordie Greep (vocals/guitar), Matt Kwasniewski-Kelvin (vocals/guitar), Cameron Picton (vocals/bass), and Morgan Simpson (drums) -- have a dynamic energy, playing as a musical unit that’s constantly in a state of flux and development.
One of the prime architects of the organic grooves later dubbed trip-hop, Nightmares on Wax deserted their early formula in 2002 only when it became respectable and a crossover appeared most likely.
Demon Time signals a deeper period of reflection for Mura Masa. From it's whispered introduction to it's messy finish, Demon Time is a journey into the unknowns of the night and the quiet revelations you might stumble across along the way.
No band can quite build their own universe like Black Midi. Hellfire, their third album and second in two years sees the London three piece at their most direct.
Sonically, the album blends trip hop, electronica, alternative, techno, and indie, drawing inspiration from artists like MF Doom, Massive Attack, and The Knife.
The fourth studio album by the English rock band, originally released in September 1995. 'The Great Escape' is often considered to be the final album of a trio of Britpop albums released by Blur in the mid-1990s.