'The Clearing' reveals where Wolf Alice stand sonically in 2025, delivering a supremely confident collection of songs bursting with ambition, ideas and emotion.
'The Clearing' reveals where Wolf Alice stand sonically in 2025, delivering a supremely confident collection of songs bursting with ambition, ideas and emotion.
Their mesmeric rock formula with lived-in intuition and collage-like composition, delivering jagged, experimental songs that feel both spontaneous and meticulously perfected.
To celebrate the 10th anniversary of the now legendary album 'Public Strain', Women are releasing a special limited edition clear vinyl pressing of the album and a new five-song collection of material titled 'Rarities 2007-2010.' 2020
The fourth installment of the highly-acclaimed series 'Burst & Decay.' The album features special guest appearances from Knuckle Puck, Sweet Pill, and Origami Angel & Little Kruta String Ensemble and is led by brand new song "Junebug".
The Hum Goes On Forever is one for The Wonder Years' fans, for anyone who listens, anyone who needs it, everyone who's grown up with the band and has sought, and continues to seek, refuge in their songs.
Delivering everything from swing jazz and twee indie pop to pseudo-mariachi and waltz, these sounds and their accompanying bizarre lyrics come together to match the existential title, "Everything is a Lot."
Will Wood and the Tapeworms make Self-ish feel like a carnival ride with the brakes cut. Screams, theremin, kazoo, power tools, and shattered furniture all orbit a strangely precise pop brain.
Will Wood’s The Normal Album treats pop structure like a funhouse mirror. This colored-vinyl edition captures the record’s cabaret nerves, theatrical spirals, and uneasy little flashes of beauty.
Predominantly known as the musical genesis of eventual home 4-track folk pioneer Linda Smith, The Woods' organically experimental blend of folk style and pop sensibilities.
The two biggest constants throughout Xiu Xiu's catalog are honesty and evolution. This remains true with Dear God, I Hate Myself as it delivers a look at responsibility, fear, healing, and societal roles wrapped in rich gothic pop music.
The record blends avant-garde noise, lo-fi electronics, post-punk angularity, and fragile folk melodies into an unsettling but deeply personal soundscape
