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The Jesus Lizard's 2nd album followed in the vein of the first with little immediate variation: loud, excellently produced by Steve Albini, plenty of space in the recording to emphasize the sheer force of McNeilly's drums and Sims' bass, and more besides.
Tomahawk is Duane Denison (the Jesus Lizard, Unsemble, etc), Mike Patton (Faith No More, Fantômas, etc) & John Stanier (Helmet, Battles, etc) and this time around joined by Trevor “field mouse” Dunn ( Mr. Bungle, Fantômas, etc).
Vinyl LP pressing. Highly anticipated would be an understatement; since their inception Overmono have purposefully cultivated a fanbase that heralds them as one of the UK's most original contemporary live electronic acts.
Working again with Aaron Dessner, Swift challenges herself to find new dimensions within the moody atmosphere: fingerpicked ballads, colorful pop music, and her first country songs in years.
The development of the rock steady sound, late in 1966, enabled a new generation of young, dynamic music makers to make a mark upon Jamaica's recording industry and of these, few proved more successful or influential than Clancy Eccles.