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The roots of La Lom reach back to 2019, when the band was assembled to play five nights a week in the lobby of the historic Roosevelt Hotel on Hollywood Boulevard.
Even though Duke Ellington and Coleman Hawkins had both been well-known jazzmen since the early 1920s, it wasn't until 1962 - at least 20 years after Duke first suggested it - that these two recorded their only session together.
Miss Simone's most loved and notable hits assembled in one package. From the evergreen track "Feeling Good," to the mysteriously romantic remake of "I Put a Spell on You" and many more, the album is the gift that will keep on giving.
Getz/Gilberto is an album by American saxophonist Stan Getz and Brazilian guitarist João Gilberto, featuring pianist and composer Antônio Carlos Jobim (Tom Jobim), who also composed many of the tracks.
"Lateral" [BioVinyl LP] Collaborative album from Brian Eno and Beatie Wolfe. Lateral sounds more like the familiar. But better. Lateral is Ambient-Landscape-Space-Music. Single LP pressed on eco-friendly black biovinyl OR Softpak CD with art cards.
"All Or Nothing At All (Verve Acoustic Sounds Series)" [180g LP]Recorded in five sessions over 1956/1957 and released in 1958, this 12-track affair is loaded with the classic standards from Berlin, Ellington, Gershwin and more.
Recorded in 1962, Cole Hawkins Quartet featuring Tommy Flanagan (piano), Major Holley (bass) and Eddie Locke (drums) puts forth an easily palatable selection of repertoire.
This expanded edition of Ella Fitzgerald's classic 1960 album, Ella Wishes You A Swinging Christmas, features a second LP with six tracks making their vinyl debut.
This 1957 release, the third in a series of albums expanding on Bird's 10-inch Clef releases from the early 1950's, 'Now's The Time' boasts some of Parker's purest recordings and strongest playing, featuring two different quartets.
Everything But The Girl return in 2023 with the new album Fuse, after a 24-year hiatus. Written and produced by Ben Watt and Tracey Thorn over the spring-summer of 2021, Fuse is a modern take on the lustrous electronic soul the band first pioneered.
The Awakening is a great jazz piano trio record by a lesser known jazz great. Somewhere in between Bill Evans and Keith Jarrett lies Ahmad Jamal. Hip hop fans may recognize samples from Nas and Common from this record.
This soundtrack is one of Nicolai’s best works, flawlessly bringing together the pop and underground music sensitivity of the 1970s with the gothic nuances of the plot – thanks to a clever use of harpsichords. Very sample-worthy if you like creepiness.
Jon Batiste WE ARE LP WE ARE is a career-changing album from musician and activist Jon Batiste. WE ARE celebrates Black American culture and music while exploring themes of lineage, authenticity, excellence and evolution.
Comprising of two extended length compositions - "Love Is Everywhere" and "To John" - this 1974 release through Impulse! Is evidence of Pharaoh Sanders' ability during this time to force listeners to take a stand on what they were listening to.
After making her professional debut as the cool, breathy voice behind the historic 1964 crossover smash "The Girl from Ipanema," Brazilian singer Astrud Gilberto became a major force in popularizing the bossa nova sound.
The stunning 1964 collaboration between Stan Getz, one of the most respected tenor saxophonists of the era, and the remarkable Brazilian guitarist Joao Gilberto
Lightnin' Strikes may not have the notoriety as some of Hopkins' other albums, but this set backed by Jimmy Bond (bass), Earl Palmer (drums) and Don Crawford (harmonica) is classic Lightnin'
The second of three albums Johnny Hartman recorded for Impulse! (and following the classic Coltrane/Hartman masterpiece), Hartman's voice is again on display at his best. 180g vinyl.
Recorded for Impulse in 1967, a session originally intended to be a trio date morphed into an 11 ½-minute duet on "Summertime" between drummer Jones and bassist Davis when the guitarist did not appear.
Ships 8/9/2024
Released in 1971 on Impulse! Thembi marked a departure from the slowly developing, mantra-like grooves Sanders had been pursuing for much of his solo career.
