Getz/Gilberto is an album by American saxophonist Stan Getz and Brazilian guitarist João Gilberto, featuring pianist and composer Antônio Carlos Jobim (Tom Jobim), who also composed many of the tracks.
This soundtrack is one of Nicolai’s best works, flawlessly bringing together the pop and underground music sensitivity of the 1970s with the gothic nuances of the plot – thanks to a clever use of harpsichords. Very sample-worthy if you like creepiness.
La Lom's Thalia Hall concert marked a milestone for them. Starting from small LA bars and going to sold-out shows nationwide, the band brought dance-floor energy to a packed Chicago theater.
A special Coltrane masterpiece, recorded in December 1961 and released in 1963. When asked why such an undertaking, Coltrane replied, "variety." The recording captures the famed John Coltrane Quartet in a performance of timeless ballads.
These 1969 recordings (released 5 years later) combine Shepp's free jazz bonafides and a blend of blues and funk through an African lens, all in a big band setting.
Double vinyl LP pressing. 2019 release. Hailing from New Orleans, Tank and the Bangas formed in 2013 and bubbled into national consciousness after appearing on and winning NPR's wildly popular Tiny Desk Concert contest in 2017.
"All Or Nothing At All (Verve Acoustic Sounds Series)" [180g LP]Recorded in five sessions over 1956/1957 and released in 1958, this 12-track affair is loaded with the classic standards from Berlin, Ellington, Gershwin and more.
Easily one of the most important jazz records ever made, John Coltrane's 1964 album 'A Love Supreme' was his pinnacle studio outing that at once compiled all of his innovations from his past, spoke of his current deep spirituality...
Comprising of two extended length compositions - "Love Is Everywhere" and "To John" - this 1974 release through Impulse! Is evidence of Pharaoh Sanders' ability during this time to force listeners to take a stand on what they were listening to.
The stunning 1964 collaboration between Stan Getz, one of the most respected tenor saxophonists of the era, and the remarkable Brazilian guitarist Joao Gilberto
Lightnin' Strikes may not have the notoriety as some of Hopkins' other albums, but this set backed by Jimmy Bond (bass), Earl Palmer (drums) and Don Crawford (harmonica) is classic Lightnin'
