Among the most fabled and mythologized recordings of the last 65 years, the private recordings of John Coltrane's group made by musician Frank Tiberi in the early 1960s have long been the subject of jazz world rumor and intense speculation.
Ólafur Arnalds and Loreen join forces once again for SAGES, a project that dissolves the lines between electronica, modern classical, and alt-pop. What began as an unlikely collaboration has evolved into something
This 1957 release, the third in a series of albums expanding on Bird's 10-inch Clef releases from the early 1950's, 'Now's The Time' boasts some of Parker's purest recordings and strongest playing, featuring two different quartets.
"All Or Nothing At All (Verve Acoustic Sounds Series)" [180g LP]Recorded in five sessions over 1956/1957 and released in 1958, this 12-track affair is loaded with the classic standards from Berlin, Ellington, Gershwin and more.
The roots of La Lom reach back to 2019, when the band was assembled to play five nights a week in the lobby of the historic Roosevelt Hotel on Hollywood Boulevard.
This soundtrack is one of Nicolai’s best works, flawlessly bringing together the pop and underground music sensitivity of the 1970s with the gothic nuances of the plot – thanks to a clever use of harpsichords. Very sample-worthy if you like creepiness.
Getz/Gilberto is an album by American saxophonist Stan Getz and Brazilian guitarist João Gilberto, featuring pianist and composer Antônio Carlos Jobim (Tom Jobim), who also composed many of the tracks.
An August 1964 New York session that pairs Peterson's established trio - Ray Brown (bass) and Ed Thigpen (drums) - with guest Clark Terry (trumpet/flugelhorn).
Ships - 05-08-26 Recorded in February and March of 1963 and released later that year, Jazz Samba Encore reunites Stan Getz with Luiz Bonfa and Maria Toledo
Percussion Bitter Sweet, released in 1961 on Impulse! Records, is one of preeminent jazz drummer Max Roach's most politically charged and musically expansive recordings.
Pastel Blues features "Be My Husband", written by Simone's husband, Andrew Stroud. She sings a cappella, with handclapping and hi-hat as her only accompaniment.
Recorded in two sessions just a few months after working on A Love Supreme, this album makes for a perfect introduction to Coltrane's final period as a leader.
The stunning 1964 collaboration between Stan Getz, one of the most respected tenor saxophonists of the era, and the remarkable Brazilian guitarist Joao Gilberto
