Little Neon Limelight has a youthful devotion to shaggy, swinging, big-screen storytelling that distinguishes Houndmouth's work from many of their more confessional, serious-minded peers.
The New Sound - Geordie Greep / "Music can transcend the ordinary; it can be whatever you envision." Geordie's debut solo album delivers a captivating blend of alternative pop that seamlessly balances the absurd with the extraordinary.
No band can quite build their own universe like Black Midi. Hellfire, their third album and second in two years sees the London three piece at their most direct.
Parquet Courts second album (2012) is "an almost dizzying nonstop array of infectious melodies, tangled guitar riffs, and brainy one-liners." - Stereogum
The Libertines' self-titled second album on Rough Trade, raw and melodic; anchored by 'Can't Stand Me Now' and built from brash guitars, singalong choruses, and pub-room lyricism.
Sleaford Mods keep surveying the wreckage with a pub-door sneer and a poet’s eye for rot. The Demise of Planet X stretches their minimalist bark into something wider and more volatile: satire, dread, and body-moving spite in one bitter pint.
black midi -- Geordie Greep (vocals/guitar), Matt Kwasniewski-Kelvin (vocals/guitar), Cameron Picton (vocals/bass), and Morgan Simpson (drums) -- have a dynamic energy, playing as a musical unit that’s constantly in a state of flux and development.
