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The ethereal third album from Texas's slowcore first wavers. A lethargic, sparse, and autumnal album, The Golden Band is where The American Analog Set developed the courage to drive 40 KPH on the autobahn.
Spacey, out of tune space rock that got really, really big on TikTok for some unexplainable reason! Songs on this album crackle with tape hiss, flicker in and out of lucidity, and sometimes remember they are trying to be punk.
The cutest comp ever comprised of perfect pop tunes sung by no-name teenage girls. This record has become a staple in my collection for it's cleverness, tenderness and occasional oddness.
From humble beginnings to the peaks of her 1968 baroque pop masterpiece Take a Picture and the collected Demos , Words and Music captures the entirety of Guryan's career, featuring 16 previously unreleased recordings and a 32-page booklet telling the whol
Set sail with the third installment of Numero's ode to regional radio surveys. Broadcasting 44 minutes of uninterrupted yacht, easy-glide, AOR, and blue-eyed disco that'll rock your boat.
From the ashes of Moss Icon, Universal Order of Armageddon blasted out of Annapolis, MD in a fiery maelstrom of punishing riffs, syncopated breakbeats, and terrifying shrieks.
Rounding out emo's second wave Indian Summer out of the Bay Area only lasted for 12 months and only wrote 10 songs but left a lasting pissed off legacy
Direct from the mixing board at a stop on Codeine's 1993 swing through the Midwest, opening for Mazzy Star, this finds Stephen Immerwahr, John Engle and Doug Scharin running through their hits at Chicago's Lounge Ax for a crowd of chatty "120 Minutes" fan
A couple years into the new millennium and the emo scene that once had enough space for a band as brazen in their fusion of slowcore, jazz, and post-hardcore as Boston's Karate would barely be reflected in a cookie-cutter style commercialized by major lab
Every feedback squeal, bass chug, and hi-hat sizzle of what would be Unwound's final 37 shows was taped, the most compelling bits of which have been edited into a cohesive snapshot of a band at the end of an incredible run.
London's V4 Visions imprint documented the confluence of street soul, deep house, swingbeat, and jungle sounds emanating from the clubs and pirate radio signals. This 18-track double LP is the first critical overview of the label.
Ten songs of talk-whispered vocals, sloshing guitar solos, scattered snare rolls, Velocity Girl's Sarah Shannon, and the original version of Codeine's slowcore classic "New Year's," on LP for the first time in 30 years.
