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After spending 15 years toying with goth, sound collage, grunge, and dark wave, Boom Chaka Boom Boom is a sprawling mix of plunking country blues, Black Lodge terror, ambient montages.
Originating in the unassuming suburb of Prairie Village, Kansas, Bulbous Creation seem to have warped directly from the wrong side of the looking glass with a jabberwocky full of surreal lyrics and gratuitous guitar solos.
You know Dolly, Loretta, Tammy, and Bobbie-but what about Joyce, Mona, Cathy or Judy? Barnyard Beehive lassos 16 Opry hopefuls from across the Numeroverse, corralling the timeless tropes of eartbreak, trouble, and the bottle into one 12" pen.
Struck for circulation after 63 years in hock within the Lou-Mood Pictures vault, this previously unissued soundtrack traffics in the high-tone timbre and highball-sipping swoon of pop's post-war years.
The final recordings by Annapolis early emo pioneers The Hated, Flux compiles their 1989 acoustic and electric sessions, home demos, and live shards from their extensive archive.
The ethereal third album from Texas's slowcore first wavers. A lethargic, sparse, and autumnal album, The Golden Band is where The American Analog Set developed the courage to drive 40 KPH on the autobahn.
Spacey, out of tune space rock that got really, really big on TikTok for some unexplainable reason! Songs on this album crackle with tape hiss, flicker in and out of lucidity, and sometimes remember they are trying to be punk.
Take A Picture is Margo Guryan's one and done classic - one of record collecting's real unheralded masterpieces - bright, breezy, lightly psychedelic, and utterly cosmopolitan, recorded in New York City no less.
The cutest comp ever comprised of perfect pop tunes sung by no-name teenage girls. This record has become a staple in my collection for it's cleverness, tenderness and occasional oddness.
From humble beginnings to the peaks of her 1968 baroque pop masterpiece Take a Picture and the collected Demos , Words and Music captures the entirety of Guryan's career, featuring 16 previously unreleased recordings and a 32-page booklet telling the whol
Set sail with the third installment of Numero's ode to regional radio surveys. Broadcasting 44 minutes of uninterrupted yacht, easy-glide, AOR, and blue-eyed disco that'll rock your boat.
From the ashes of Moss Icon, Universal Order of Armageddon blasted out of Annapolis, MD in a fiery maelstrom of punishing riffs, syncopated breakbeats, and terrifying shrieks.
Rounding out emo's second wave Indian Summer out of the Bay Area only lasted for 12 months and only wrote 10 songs but left a lasting pissed off legacy
Just as Duster’s landmark debut album Stratosphere was making its first orbit, Clay Parton, Dove Amber, and Jason Albertini tracked a largely improvised companion capsule, an ode to ’70s Kosmische - a skeletal space nap for the prozac generation
Direct from the mixing board at a stop on Codeine's 1993 swing through the Midwest, opening for Mazzy Star, this finds Stephen Immerwahr, John Engle and Doug Scharin running through their hits at Chicago's Lounge Ax for a crowd of chatty "120 Minutes" fan
The tenth volume of Numero's elaborately packaged Cabinet of Curiosities series, L80s finds the group exploring the far-flung corners of the global downtempo underground.
Queen of the Norfolk Sound, Barbara Stant was a teenager when she auditioned for Shiptown impresario Noah Biggs in 1970. By 1978 disco was in overdrive, Noah Biggs was in the ground, and Stant's career on hold. My Mind Holds Onto Yesterday is what remains
A couple years into the new millennium and the emo scene that once had enough space for a band as brazen in their fusion of slowcore, jazz, and post-hardcore as Boston's Karate would barely be reflected in a cookie-cutter style commercialized by major lab
