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Vocalist/guitarist J. Mascis sounds somewhat brighter and more emotional than in recent times, and his guitar work is as stellar and incendiary as ever. All in all, 'Farm' sees Dinosaur Jr. continuing to rock out inventively and satisfyingly.
"Her songs are heartfelt without seeming overly earnest, her poetry is plainspoken but not overt, and her voice is elegant but wrapped in enough rasp and sorrow to keep from sounding too pure or confident."
-Robin Hilton, NPR's All Songs Considered
If you love grunge/punk/indie or the like, you love this. Originally released on the venerable SST labels in the 1980's, this reissue stays true to form.
Pronounced "bohn eevair; French for "good winter" and spelled wrong deliberately. This debut is centered around a particular aesthetic; Justin Vernon, the primary force behind Bon Iver, moved to a remote cabin in the woods of Northwestern Wisconsin at the
2012 release from the Alt-Rock heroes, the third Dinosaur Jr. album since the original trio J Mascis, Lou Barlow and Murph reformed in 2005. And, crazily, it marks the band's 10th studio album since their debut on Homestead Records in 1985.
Sharon Van Etten writes from free-flowing emotional honesty and vulnerability, creating a bond with the listener that few contemporary musicians can match. It's a self-produced album of exceptional intimacy, sublime generosity, and immense breadth.
You can designate records as seasonal, and you can feel Preoccupation's Viet Cong's bleakness and declare it wintry. But the only way you get a frost is when there's something warmer to freeze up.
Bon Iver, Bon Iver was recorded and mixed over the course of three years at April Base Studios, a remodeled veterinarians clinic located in rural Fall Creek, Wisconsin.
Sharon Van Etten’s Remind Me Tomorrow comes four years after Are We There, and reckons with the life that gets lived when you put off the small and inevitable maintenance in favor of something more present.
If 'For Emma, Forever Ago’ was the crisp, isolation of a northern Winter; ‘Bon Iver’ the rise and whirr of Spring; and '22, A Million', a crazy energy Summer record, ‘i,i’ completes the cycle: a fall record; Autumn-colored, ruminative, steeped.
The threads of our past never unravel, they hover like invisible webs, occasionally glistening due to a sly angle of the sun. Multi-Love reflects on relationships: airy, humid longing, loss, the geometry of desire that occurs when three people align
Guitar-god riffs, choppy percussion, soul and funk. II, the sophomore album from UMO, emerged in an era rampant hedonism and isolationism and became the blueprint for everything Nielson has become renowned for.
As Margaret intended, 'Romantic Piano' touches on a rare feeling in art often only reserved for the cinema - a simultaneous wide-lens awe of existence and the post-language intimate inner monologue of being marooned in these skulls of ours.
We've Been Going About This All Wrong, concerns itself with how we feel, mourn, and reclaim our agency when we think the world - or at least, our world - might be falling apart.
To celebrate the 10th anniversary of the now legendary album 'Public Strain', Women are releasing a special limited edition clear vinyl pressing of the album and a new five-song collection of material titled 'Rarities 2007-2010.' 2020
How Long Do You Think It’s Gonna Last? marks Big Red Machine’s second album and follows their 2018 self-titled debut. Dessner produced the album at his Long Pond studio in upstate New York, and it features an array of guest vocalists.
