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You can designate records as seasonal, and you can feel Preoccupation's Viet Cong's bleakness and declare it wintry. But the only way you get a frost is when there's something warmer to freeze up.
Molly wanted to encapsulate the sound of Café Molly for her debut album On The Lips, a dreamy tribute to classic mood music, it conjures up misty visions of classic Hollywood jazz clubs, Italian cinema soundtracks and lingering embraces between lovers.
If you love grunge/punk/indie or the like, you love this. Originally released on the venerable SST labels in the 1980's, this reissue stays true to form.
Bon Iver, Bon Iver was recorded and mixed over the course of three years at April Base Studios, a remodeled veterinarians clinic located in rural Fall Creek, Wisconsin.
Sharon Van Etten’s Remind Me Tomorrow comes four years after Are We There, and reckons with the life that gets lived when you put off the small and inevitable maintenance in favor of something more present.
2012 release from the Alt-Rock heroes, the third Dinosaur Jr. album since the original trio J Mascis, Lou Barlow and Murph reformed in 2005. And, crazily, it marks the band's 10th studio album since their debut on Homestead Records in 1985.
22, A Million is part love letter, part final resting place of two decades of searching for self-understanding like a religion. And the inner-resolution of maybe never finding that understanding. The album's 10 poly-fi recordings are a collection of sacre
In this sense, Now Would Be A Good Time feels like a manual for modern living: a missive from three proud Folk Bitches finding beauty and wisdom where they can, together.
How Long Do You Think It’s Gonna Last? marks Big Red Machine’s second album and follows their 2018 self-titled debut. Dessner produced the album at his Long Pond studio in upstate New York, and it features an array of guest vocalists.
It's a deeply personal and experimental work exploring themes of survival, resilience, and hope amidst hardship. Holley, who experienced a tumultuous childhood and early life, uses his music to reflect on his past & address societal issues.
From the off, Sharon Van Etten & The Attachment Theory is sonically different from Van Etten's previous work. Writing and recording in total collaboration with her band for the first time, Van Etten finds the freedom that comes by letting go.
Ships 2/7/25 - In total collaboration with her band for the first time, Van Etten finds the freedom that comes by letting go. The themes are timeless, classic Sharon - but the sounds are new, wholly realized and sharp as glass.
The threads of our past never unravel, they hover like invisible webs, occasionally glistening due to a sly angle of the sun. Multi-Love reflects on relationships: airy, humid longing, loss, the geometry of desire that occurs when three people align
Guitar-god riffs, choppy percussion, soul and funk. II, the sophomore album from UMO, emerged in an era rampant hedonism and isolationism and became the blueprint for everything Nielson has become renowned for.
Molly wanted to encapsulate the sound of Café Molly for her debut album On The Lips, a dreamy tribute to classic mood music, it conjures up misty visions of classic Hollywood jazz clubs, Italian cinema soundtracks and lingering embraces between lovers.
