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Dinosaur (later to be renamed Dinosaur Jr.) recorded their debut album in 1985 for $500 at a home studio in the woods outside Northampton, Massachusetts. On the strength of that album, they begin to play shows down south in NYC. There they met Sonic Youth
You can designate records as seasonal, and you can feel Preoccupation's Viet Cong's bleakness and declare it wintry. But the only way you get a frost is when there's something warmer to freeze up.
In this sense, Now Would Be A Good Time feels like a manual for modern living: a missive from three proud Folk Bitches finding beauty and wisdom where they can, together.
The threads of our past never unravel, they hover like invisible webs, occasionally glistening due to a sly angle of the sun. Multi-Love reflects on relationships: airy, humid longing, loss, the geometry of desire that occurs when three people align
Guitar-god riffs, choppy percussion, soul and funk. II, the sophomore album from UMO, emerged in an era rampant hedonism and isolationism and became the blueprint for everything Nielson has become renowned for.
Molly wanted to encapsulate the sound of Café Molly for her debut album On The Lips, a dreamy tribute to classic mood music, it conjures up misty visions of classic Hollywood jazz clubs, Italian cinema soundtracks and lingering embraces between lovers.
2012 release from the Alt-Rock heroes, the third Dinosaur Jr. album since the original trio J Mascis, Lou Barlow and Murph reformed in 2005. And, crazily, it marks the band's 10th studio album since their debut on Homestead Records in 1985.
"The band's defeatism takes on a new tenor: battle-worn, sincere, and not quite so antagonistic. That may mean that New Material lacks the punch of their feisty debut, but it also lends these songs a soothing quality." -Pitchfork
Preoccupations: a singular, bracing collection that proves what's punishing can also be soothing, everything can change without disrupting your compass.
An exhilarating complement to her past work, and one for which Olsen recalibrated her writing/recording approach and methods to enter a new music-making phase.
The descent into darkness is a trope we find time again across history, literature and film - a protagonist plunging further and further into the depths. But there is also an abyss above.
If 'For Emma, Forever Ago’ was the crisp, isolation of a northern Winter; ‘Bon Iver’ the rise and whirr of Spring; and '22, A Million', a crazy energy Summer record, ‘i,i’ completes the cycle: a fall record; Autumn-colored, ruminative, steeped.
22, A Million is part love letter, part final resting place of two decades of searching for self-understanding like a religion. And the inner-resolution of maybe never finding that understanding. The album's 10 poly-fi recordings are a collection of sacre
Where SABLE, was a work of solitude, fABLE is an outstretched hand. Radiant, ornate pop music gleams around Vernon's voice as he focuses on a new and beautiful era.
How Long Do You Think It’s Gonna Last? marks Big Red Machine’s second album and follows their 2018 self-titled debut. Dessner produced the album at his Long Pond studio in upstate New York, and it features an array of guest vocalists.
It's a deeply personal and experimental work exploring themes of survival, resilience, and hope amidst hardship. Holley, who experienced a tumultuous childhood and early life, uses his music to reflect on his past & address societal issues.
From the off, Sharon Van Etten & The Attachment Theory is sonically different from Van Etten's previous work. Writing and recording in total collaboration with her band for the first time, Van Etten finds the freedom that comes by letting go.
