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On Cautious Clay's deeply personal Blue Note debut KARPEH, the singer, songwriter, multi-instrumentalist and producer takes an artistic leap forward with an ambitious yet introspective album about growth.
Ike Quebec's aptly titled 1961 album Heavy Soul was a soul jazz masterclass with the tenor saxophonist joined by Freddie Roach (organ), Milt Hinton (bass) and Al Harewood (drums).
The Kansas City born trumpeter Carmell Jones was quickly signed by Pacific Jazz soon after his arrival in Los Angeles in 1960, and began a promising recording career with his impressive and accurately titled 1961 debut The Remarkable Carmell Jones.
BOBBY HUTCHERSON / SAN FRANCISCO (BLUE NOTE CLASSIC VINYL SERIES) Limited 180gm vinyl LP pressing. The musical partnership between vibraphonist Bobby Hutcherson and tenor saxophonist Harold Land fully blossomed on the 1970 album San Francisco.
"Get ready to rock with Wayne Shorter's biggest LP, 'Adams Apple'. With his unique blend of jazz and R&B, Shorter's music is sure to be a hit with any fan of soulful and groovy beats. This LP features some of his most electrifying performances yet,
Jimmy Smith was a self-taught pianist who helped popularize the Hammond B3 organ with a revolutionary style that caught the ear of Alfred Lion at Blue Note who later dubbed him The Incredible Jimmy Smith.
1964 was momentous for saxophonist Wayne Shorter, starting the year in Art Blakey & The Jazz Messengers before making his own debut (Night Dreamer/JuJu). He joined the Miles Davis Quintet that summer, cementing a seminal lineup in jazz history.
On February 7, 1960, tenor saxophonist Hank Mobley with pianist Wynton Kelly, bassist Paul Chambers, and drummer Art Blakey, laid down what would become his masterpiece: Soul Station.
Ron Miles wrote most of the music to Rainbow Sign in the summer of 2018 as his father was passing away. It's both a loving dedication and a riveting spiritual document that scores the journey from Earth to eternal peace
This never-before heard jazz classic documents one of the most historically important working bands in all of Jazz history, a band that was both short-lived and, until now, thought to be frustratingly under-recorded. The concert, which took place at the f
