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Following 2001's massive debut... and Justice for Y'All, the crushing second full-length Sixteen Tons kept the buzz growing . Everybody agreed that stoner rock, doom, and sludge could simply be called "weed metal".
Bless This Mess marks both a divergence from and deepening of Meg Remy's songbook, more at peace with her restless truths and moods. Remy taps into subtle veins of humor and heaviness, rhythm, and reverie.
Did you say Bath-House?", was the initial response when I proudly announced to a Norman-troglodyte about the newest, ear blastingest, front-over-sideways puke-a-thon noise-rocking trio Bathouse from Malmö (Swe).