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DFA Records and Bokeh Versions have teamed up for a joint release - a reworking of the freaky post-punk stylings of Guerilla Toss by Athens, Greece-based musician and producer Dimitris Papadatos, a.k.a. Jay Glass Dubs.
The duo’s wild-eyed genre mishmash covers chiptuned pop-punk, chintzy trance synths, and the closely mic’d intimacy of indie pop—sometimes all in the same song.
Definitely one of the greatest pop albums of all time, her second, Post, came out in 1995 just as Bjork was rocketing to fame. Just that same year she escaped a murder attempt and beat up a reporter.
The madcap duo’s second album is about many things—junk food, being dumb, the ska revival—but mostly it’s about two savants making pop music sound absurdly fun.
DEBUT ALBUM FROM RAPPER / ACTOR DONALD "I LOVE MIGOS" GLOVER. Preceded by 2010’s Culdesac mixtape and 2011’s EP, Camp is the first offical full-length release by Glover’s hip-hop project Childish Gambino.
January of 1968 brought Axis: Bold As Love to the U.S., an album that expanded Jimi's six-string flame with celestial clarity and also brought his rapidly evolving songwriting gift to the fore.
The Pretenders' 11th studio album, Hate for Sale, marks the band's first effort since 2016's Alone, though frontwoman Chrissie Hynde released a jazz-influenced covers solo LP last year called Valve Bone Woe.
Sam Cooke, inventor and true King of Soul, recorded Mr. Soul in the same year as Night Beat, and seems to be its more adult counterpart, with soulful ballads taking up most of the album.