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Glitch Princess opens a channel to the in-between spaces: error messages and broken computer code where soothing un-melodies rest comfortably among the jagged edges of feedback loops.
Building on the warm, elemental soundscape of 2021's 'Antidotes' EPs and the moody, elegant timbre of her cello, Chua self-produced and engineered 8 of YIAN's 10 tracks, spurred on by a call to true artistic integrity and authorship.
Shapeshifting between electronic experimentation and acoustic texture, the Queens-based artist has long delved into themes of erosion and lithification, along with the infinite possibilities of metamorphosis.
On Yeule's shimmering debut full length Serotonin II, the artist delivers on the promise of her early singles, inviting the listener into her dynamic and sensational world. Themes of identity and rebirth bloom from dreamlike melodies that exude vitality.
The second studio album from the ultimate 60's psych band out of Texas. Feels like a karmic death/birth cycle. Features my favorite version of "It's All Over Now Baby Blue"
MASSEDUCTION,' St. Vincent’s fifth solo album, is a neck-snapping magnum opus. Though dark, it avoids the kind of overdone, maudlin doom and gloom that mopes instead of shocks.
Sound System Records continues it's releases of Foundation Jamaican artists with the unique and singular Reggae DJ, Rpton Hylton, known as EEK A MOUSE. Released originally in the early 1980s and out of print for nearly 30 years.
Fiona Apple's second album, When The Pawn..., was released in 1999 to widespread critical praise and is now widely regarded as a classic and includes tracks "Paper Bag," "Fast As You Can," and "I Know".
